African Football League
Direct-to-consumer service for 340 fixtures a season, launched in 71 days across nine markets.
Media Mogul builds and runs the streaming services and broadcast operations that legacy networks quote eighteen months for. Playout, packaging, monetisation and 24/7 master control — one operator, one contract, one bill.
A multimedia institution built by broadcast engineers and product people who got tired of waiting on procurement. We hold the licences, own the playout, and answer the phone at 3am.
We run the service after launch. Our SLA is our product roadmap.
Reference architecture, pre-cleared rights workflows, pre-negotiated CDN.
Distribution, ad sales and subscriber ops sit under one commercial team.
Fill rate, churn, rebuffer ratio — published to partners weekly.
Pick a lane or take the stack. Everything below runs on the same playout core and the same reporting.
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| Facility | Capability | Redundancy | Status |
|---|---|---|---|
| Playout — Birmingham | 24 SDI + 40 IP channels, UHD HDR | N+1 hot | On air |
| Master control — Manchester | Regional feeds, 14 language tracks | N+1 hot | On air |
| Contribution & remote | Bonded cellular, satellite uplink, 40 kits | Dual path | 6 deployed |
| Disaster recovery — London | Full mirror, 90-second failover | Geo-separate | Standby |
| Archive & restoration | 4K scan, 2.1 PB near-line, AI metadata tagging | Triple copy | Ingesting |
| AI operations layer | Live captioning, 14-language dubbing, compliance QC | Human in the loop | On air |
A full marketing function under the same roof as the playout: strategy, creative, media buying, lifecycle and measurement — briefed once, reported in one dashboard.
Naming, identity, on-air look and the one-sentence proposition every channel needs before it launches.
First-party CDP, panel and set-top data modelled into segments we can actually buy against.
Trailers, idents, key art and cutdowns for every placement — one shoot, forty deliverables.
CTV, video, search, social and OOH planned together, bought in-house, optimised daily.
Always-on channels, talent and creator programmes, match-day clip rights and moderation.
Promo scheduling across the estate, sponsor billboards and EPG placement negotiated for you.
Onboarding, win-back, price testing and churn saves run as a permanent experiment queue.
Metadata, store pages, structured data and platform merchandising — where most demand is won.
Press, festival strategy, brand sponsorship packages and carriage marketing funds.
Cutdowns, key art variants and localised versions generated from one master and signed off by our editors.
Artwork, rails and promo selection chosen per viewer, with the model retrained on your own watch data.
Geo tests, media mix models and holdouts — spend judged on lift, not last click.
A twelve-week runway from first tease to retention, mapped to the platform build so marketing never waits on engineering.
Positioning locked, teaser cut, waitlist live, PR embargo set.
Creative in market, CTV and social ramp, creator programme opens.
Peak spend, on-air promo across the estate, store merchandising secured.
Spend rebalanced to lifecycle, churn saves and price testing.
The same engineers who keep channels on air run our voice network. Hosted VOIP, SIP trunking and contact centre for studios, newsrooms and subscriber support desks.
Talkback, phone-in and remote contribution lines sit on the same network as the office phones — one supplier, one escalation path.
Talk to the voice teamiOS, Android and PWA apps for mobile stream ingestion and event management — crews go live from the field, producers run the running order, one shared codebase against our playout API.
Camera operators, producers and venue staff share the same running order. What the field sends arrives tagged, timecoded and ready for the gallery.
See a demo buildSRT and RTMP out over bonded 5G and Wi-Fi, adaptive bitrate with automatic store-and-forward when the signal drops.
Live rundown, talkback, crew check-in and push alerts — producers move an item and every device knows.
Scan on the gate, media passes and zone permissions, tied to the same entitlement service as the paywall.
AI transcription and shot tagging on arrival, so a clip is cut and posted to social before the crew has packed up.
PA systems of every size with LED walls to match — designed, installed, operated and struck by our own crews, feeding the same playout that goes to air.
Distributed ceiling PA, DSP and a 3×2 m indoor wall at 1.9 mm pitch for presentation and studio backdrop.
Point-source arrays, radio mic packs, wall up to 8×4.5 m with a redundant processor path.
Flown line arrays with delay towers, IEM world, main screen plus two side wings and IMAG cutting.
Full-bowl coverage to speech-intelligibility spec, perimeter ribbon and 200 m² outdoor wall at 6 mm pitch.
Twenty years in pan-African distribution and rights.
Built playout for two national broadcasters.
Commissioning and acquisition across four regions.
Ad sales, subscriptions and carriage deals.
Engineers who like live television and commercial people who like engineers. Nine roles open across three sites.
See all openingsMedia Mogul builds and operates streaming services and broadcast operations end to end — platform build, playout and master control, monetisation, marketing, voice, mobile apps, and live sound and screens — under one contract.
A reference OTT build reaches first stream in about nine weeks and a full launch in roughly 90 days. Streaming servers themselves are provisioned within 72 hours.
Birmingham, Manchester and London — playout in Birmingham, master control in Manchester, disaster recovery in London — delivering across 27 markets.
Yes. Ticketed PPV, rentals, bundles and season passes run on our paywall with entitlement, geo-fencing, concurrency limits, AI fraud scoring, card, wallet and carrier billing, and weekly settlement.
Yes, with a human in the loop: live captioning, 14-language dubbing and compliance QC, AI CDN steering and per-title encoding, AI yield optimisation on ad-supported channels, AI voice agents in the contact centre, and AI creative and personalisation in marketing.
An operator. We hold the licences, own the playout and run the service after launch, with a 24/7 UK operations desk and 99.99% transmission uptime.